Master tapes and vinyl recordings from the Ancient Order of Assassins label, along with a DVD and pamphlet on the history of the label. Includes digital audio tapes (DAT). This collection is part of the Louisville Underground Music Archive (LUMA) Project.
A collection of flyers, with some stickers, handouts, lyric sheets, zines, and a patch, for mostly Louisville hardcore bands, from around 1992 and 1993.
84 digitized photographs of bands performing at Louisville venues (Tewligans, Cliffhangers, and The Machine). Bands include local bands such as Endpoint (at Cliffhangers and The Machine), Falling Forward (at The Machine), Step Down ( at The Machine), Enkindel (at The Machine), and Crain (City Lights), and out of town bands such as Avail (at Tewligans), and Voodoo Glow Skulls (at The Machine). This collection is part of the Louisville Underground Music Archive (LUMA) project.
Three Poor Girls CDs ("Need 2 Dream," "Positive Response/No Rhythm Dancing," and "Genuine Tewligans"), with copies of fliers advertising Poor Girls shows and newsclippings about the band. The originals date to the 1980s and 1990s. Chuck Baxter played guitar and sang with the Poor Girls. This collection is part of the Louisville Underground Music Archive (LUMA) project.
Collection includes a photograph of No Fun performing at the Louisville School of Art in 1976, one copy of The Hammer, an art zine from 1982, materials related to art by Bruce Witsiepe and a Bodeco cassette.
University of Louisville holds Update version 0.0 (Dec. 1995-March 1996); First issue [March 1996]-30th issue (Summer 2002).
Collection includes a selection of 12" and 7" vinyl records, compact discs, audiocassettes, and two comic books related to the Louisville Music scene in the 1980's and 1990's. Bands represented include Poor Girls, Hula Hoop, Lemonade Hayride, Dead Serious. Burton was the owner and namesake of Ken's Records in Crescent Hill. This collection is part of the Louisville Underground Music Archive (LUMA) project.
These records date from 1955 to 1987, with the bulk of the materials dating from 1963 to 1968. In this.5 linear foot collection are minutes and financial reports, ticket sales ledger book and lists, correspondence, programs, and printed material.
Includes posters, flyers, CDs, videos of Ut Gret performances, setlists, articles related to Ut Gret and Conroy's other music projects. Also includes Artswatch materials, an organization Conroy oversaw from 1999-2006.
